In a move that’s set the internet ablaze, the ballet series “Étoile” has delivered a groundbreaking moment: the first on-screen gay kiss in its history. This isn’t just any kiss – it’s a culmination of years of representation struggles within the traditionally conservative world of dance, a powerful statement of inclusion, and a moment that has resonated deeply with viewers. The Daily Beast, known for its sharp cultural commentary, has declared it “an all-time great TV gay kiss,” and it’s clear why. But beyond the viral buzz, what does this moment signify for the future of representation in the arts? Join us as we dissect the impact of this historic kiss and explore what it means for the evolution of ballet and the LGBTQ+ community.
The Chemistry of “Étoile”
A Dance of Desire: Analyzing the Physicality and Subtext
Dance doubles as a flirtation and even foreplay in the highly competitive Étoile setting, proving Paris and New York are both cities for lovers. After swapping talent between the prestigious (and fictitious) French and American ballet institutions sparks new and old connections, the first season culminates in two defining dances, a swoony, rom-com-worthy public declaration, and an intimate pas de deux in a dark studio. If this were a competition, then the intricate steps and horny moves would get 10s across the board.
Fans of Amy Sherman-Palladino shows like Gilmore Girls and The Marvelous Mrs. Maisel are accustomed to snappy dialogue and big personality sparring that spills over into the bedroom. Étoile (that’s French for “star”) continues this hallowed tradition, but without making viewers wait several seasons to consummate feelings: Yearning is great, kissing is better. The season finale certainly proves that.
Sherman-Palladino’s Signature Style: Snappy Dialogue and Romantic Tension
Members from both companies share a passion for this art form—and for each other. New York City’s Metropolitan Ballet Theater director, Jack (Luke Kirby), and his French counterpart, Geneviève (Charlotte Gainsbourg), have a history that repeats itself by Episode 5. It takes longer to confirm that Jack and star ballerina Cheyenne (Lou de Laâge) have seen each other naked, even though neither has issues speaking their minds (hell, Cheyenne has a whole conversation with Jack’s crotch).
Beyond Romance: Challenging Artistic Expectations
The “Étoile” Setting: A Platform for Creative Exploration and Collaboration
Jack’s exploits are endlessly entertaining, and Kirby’s chemistry with de Laâge and Gainsbourg crackles without retreading the same beats shared with Mrs. Maisel co-star Rachel Brosnahan. Even with Jack and Cheyenne’s long-awaited reignited passion, another burgeoning couple pulls focus for most of the finale. Neurotic American choreographer Tobias (Gideon Glick) struggles after relocating from New York, but finds inspiration from Le Ballet National’s resident bad boy, Gabin (Ivan du Pontavice).
Pushing Boundaries: Étoile’s Exploration of Artistic Expression and Personal Growth
It is in the beginnings—or at their meet-cute, if you will—that Sherman-Palladino hooks us in and lays a strong combative foundation. Gabin and Tobias leap into a potent mix of curiosity, animosity, and the desire to impress. It takes until the finale for Tobias to realize Gabin is more than a muse. What follows is a passionate first kiss on stage in front of hundreds in the Parisian theater, with thousands more watching online. It is impossible not to join in with the vocal cheers because this long-awaited leap began in the rehearsal room.
“I invite you to size me up,” said Gabin as a way of introduction. It is a suggestion to show off his professional prowess and physique while doubling as the first move in their will-they-won’t-they. Gabin’s “I want him” is about becoming a lead, but the chemistry between Glick and du Pontavice is noticeable from the jump, bubbling under the surface during every interaction.
It isn’t the first time there has been a gay storyline on a Sherman-Palladino show, but unlike the ’60s-set Mrs. Maisel, there is zero mention of closets or hiding the identity of a former flame.
The ups and downs follow the rom-com formula; they flirt, fight, step up when no one else will, experience a rupture (Gabin’s arrest), and then make a defining big gesture. In this case, the couple are also opposites, with Gabin’s l’enfant terrible’s sharp edges contrasting Tobias’ many quirks. (Guest star Jonathan Groff, as Tobias’ ex Kevin calls him a “beautiful weirdo,” and Tobias clearly has a type.) When Tobias can’t sleep because he has a rat in his apartment, Gabin steps up to fix the situation (RIP mousier rodent). “No one has ever done something like this for me before,” says Tobias. In the finale, “Piece 2” has barely begun when Tobias demands the dancers and orchestra stop because he can’t let the judgy Paris audience see another failure. Rather than cancel opening night, Tobias rewrites the choreography, incorporating Gabin’s raw talent into a stunning, emotionally resonant performance that brings the house down.
“Étoile” and Representation: A Step Forward
Authenticity and Visibility: Depicting LGBTQ+ Relationships with Nuance
The groundbreaking finale of “Étoile” delivered a powerful message of inclusivity and authenticity by portraying a heartfelt and intimate gay kiss between two male dancers, Tobias and Gabin. This representation is significant because it moves beyond tokenism and offers a nuanced portrayal of a same-sex relationship within the high-stakes world of professional ballet. The scene was not gratuitous or exploitative; it was a natural progression of their developing feelings, built on a foundation of mutual respect, admiration, and a shared passion for their art form.
In a media landscape that often relegates LGBTQ+ characters to the periphery or relies on stereotypical tropes, “Étoile” stands out for its commitment to depicting a genuine and complex relationship. Tobias and Gabin’s story is not about their sexual orientation being their defining characteristic; it’s about their individual struggles, ambitions, and the unique challenges they face as artists and as a couple.
The Power of Representation: Impact on Viewers and the Media Landscape
The impact of this representation extends far beyond the screen. For many LGBTQ+ viewers, seeing their experiences reflected authentically in a popular TV show can be deeply validating and empowering. It sends a message that their stories matter, that their relationships are worthy of exploration and celebration, and that they belong in mainstream narratives.
Furthermore, the success of “Étoile” can encourage other creators to embrace diversity and inclusivity in their own work. By demonstrating that stories featuring LGBTQ+ characters can be both engaging and commercially successful, the show paves the way for greater representation across all genres and platforms.
Building Momentum: The Future of “Étoile”
Season Two Possibilities: Expanding the Narrative and Exploring New Relationships
The successful first season of “Étoile” has laid the groundwork for a compelling second season. With several storylines left unresolved and a wealth of potential for exploration, the show’s creators have ample opportunity to delve deeper into the lives of the characters and expand the narrative in exciting new directions.
One of the most intriguing possibilities is the development of Tobias and Gabin’s relationship. Their connection, forged in the crucible of artistic collaboration and personal struggle, has the potential to evolve into a powerful and enduring love story. Season two could explore the challenges and rewards of their relationship as they navigate the demands of their careers and the complexities of their individual identities.
In addition to Tobias and Gabin, there are several other characters whose stories deserve further exploration. For example, Cheyenne and Jack’s rekindled romance could take center stage, offering a nuanced look at their history and the challenges of navigating a relationship in the demanding world of professional ballet.
The Show’s Potential Longevity: Capturing the Enduring Appeal of Ballet and Romance
“Étoile” has tapped into the enduring appeal of ballet and romance, combining the athleticism and artistry of dance with the emotional intensity of human connection. The show’s blend of drama, humor, and passionate performances has resonated with audiences, creating a world that is both captivating and relatable.
The world of professional ballet, with its traditions, rivalries, and high stakes, provides a rich backdrop for storytelling. The show’s creators have skillfully captured the essence of this world, creating a believable and immersive experience for viewers. The romantic subplots, fueled by desire, ambition, and the complexities of human relationships, add an extra layer of intrigue and emotional depth.
“Étoile”‘s potential for longevity lies in its ability to strike a balance between the high-stakes world of ballet and the universal themes of love, loss, ambition, and the pursuit of excellence. By continuing to explore these themes with depth and nuance, the show can maintain its appeal to a wide audience and establish itself as a landmark series in the world of television.
Conclusion
“Étoile” finale has sent ripples through the television landscape, offering a poignant and powerful moment of LGBTQ+ representation in a genre often seen as traditional. The article examines the impact of this groundbreaking kiss, highlighting its significance not only for its explicit portrayal of affection but also for the nuanced exploration of character and emotion it facilitated. This act of defiance against established norms within ballet’s history serves as a testament to the evolving nature of storytelling and the growing demand for authentic representation.